“One of the things we do in color photography is use color to show depth, and when you have the absence of color it distills it down, so you have the opportunity to be more nuanced in how you explain to the audience where to look in the frame." — MANK cinematographer Erik Messerschmidt | Netflix

2.5K views · 150 reactions | In this behind the scenes piece from Industrial Light & Magic, Compositing Supervisor, Sherry Hitch, takes you through the comp work that went into Netflix’s Mank, directed by David Fincher. We are hiring for Compositors across our studios. Apply now and #JoinILM: www.ilm.com/careers #jointheforce #theartofcompositing #VFX #ILM Industrial Light & Magic Recruitment | Industrial Light & Magic | Facebook