One of only a handful of works that Andy Warhol completed with fluorescing materials, this work is a startling combination of repetition, eroticism, bodily fixation, kitsch, and Christian iconography. Warhol sourced the images of Christ from a small, low quality copy of Leonardo da Vinci’s “The Last Supper”, yet he inflates the heads to monumental size, emphasizing the disappointment on the faces. The strong male bodybuilder and text was likely appropriated from a fitness ad, but the recontextua