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Müller-Schott , RSNO, Søndergård, Usher Hall, Edinburgh - spectacular Shostakovich to end the season
There was a neat conjunction of commemorations to this concert, the most obvious one being the fact that that 2025 marks the ...
Take the title track, Ruth Gipps’ little bassoon and piano duet a winning portrait of a cow mooching about, the final bars ...
No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise ...
With WOMAD not happening this year, where could one go for a feast of global sounds? Fes in Morocco has been presenting its ...
I called caroline “perhaps the best band in the U.K” in my article about their debut, which I named my album of the year.
Do you know the name of the propaganda minister of England, or America, or even Stalin? No. But Joseph Goebbels? Everyone ...
John Wick’s simple story of a man and his dog became a bonkers, baroque franchise in record time, converting Keanu Reeves’ ...
Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the ...
Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings true
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a ...
In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life.
Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to ...
A long time ago, in a galaxy far, far away called the late 1990s, there was a scene known as “big beat”. It consisted of club ...
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