SEATTLE — On the surface, "Last Night in Soho" is a celebration of the 60s — the glitzy and glamorous sides. But when a young aspiring fashion designer moves to London's Soho area and mysteriously ...
Nostalgia can offer history a brighter, more exciting and decidedly rose-colored sheen. This is the question filmmaker Edgar Wright, and co-writer Krysty Wilson-Cairns, pick up in “Last Night in Soho, ...
Here’s your first look at some visually arresting footage from Edgar Wright’s psychological thriller Last Night in Soho, which Focus Features will release on October 22. The pic stars Anya Taylor-Joy, ...
We’ve all seen our great share of streaming while in isolation during Covid, but nothing was a better reminder of the power of the big screen than the Edgar Wright-directed, produced and co-penned ...
In “Last Night in Soho,” wanderlust and cultural nostalgia drive a young woman named Eloise (Thomasin McKenzie) to attend fashion school in London’s Soho district. There, her obsession with 1960s ...
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Mixing glorious pastiche and gory ghost story, director Edgar Wright’s “Last Night in Soho” will stand as one of the best London movies of the new decade. That’s probably because, while it enjoys the ...
This story about “Last Night in Soho” first appeared in the Below-the-Line Issue of TheWrap’s awards magazine. Edgar Wright’s sumptuous thriller “Last Night in Soho” follows young Eloise (Thomasin ...
After offering a very brief tease over the weekend, Focus Features just dropped a wild trailer for Edgar Wright’s new movie, a time-traveling horror thriller called Last Night in Soho. While bursting ...
Bad dreams are the worst. Like, if you dream of making out with a person you never thought of in that kind of way? So weird! But in a new movie, bad dreams turn into an entire murder investigation.
Nostalgia can offer history a brighter, more exciting and decidedly rose-colored sheen. This is the question filmmaker Edgar Wright, and co-writer Krysty Wilson-Cairns, pick up in “Last Night in Soho, ...
Nostalgia can offer history a brighter, more exciting and decidedly rose-colored sheen. This is the question filmmaker Edgar Wright, and co-writer Krysty Wilson-Cairns, pick up in “Last Night in Soho, ...
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