An old museum label alerted staff at Ketterer Kunst that the watercolor had been confiscated from the museum in Halle. Christian Rohlfs, Study according a tree trunk (c. 1914). Image courtesy of ...
The BYU Museum of Art hosted "Reconciliation: Biblical Imagination in German Expressionist Prints," which began on March 15. The collection ran until Oct. 19. (Daily Universe) The BYU Museum of Art ...
Add Yahoo as a preferred source to see more of our stories on Google. Münter painting outdoors, at Kochel (Unknown) In a pretty little town called Murnau, in the foothills of the Bavarian Alps, there ...
The works that best exemplify a uniquely German grotesque in Reexamining the Grotesque are those that reflect the war and Weimar years. With Franz Marc and August Macke: 1909-1914, the Neue Galerie ...
Beginning in the late nineteenth century, Germany expanded its boundaries to Africa though colonization. Although short-lived, lasting only until World War I, colonization led to new ideas in German ...
George Grosz, “Attack (Attentat),” 1915, lithograph in black on laid paper. (National Gallery of Art/Purchased as the gift of Richard A. Simms and Ailsa Mellon Bruce Fund/Estate of George ...
While today, abstraction is a widely deployed form of creative expression, this wasn’t always the case. At the turn of the 20th century, and evolving over the course of the next several decades, ...
This exhibition explores the influence of western medieval forms, practices, and themes on German Expressionists and their opposition to the tradition of naturalism. Presenting a new perspective from ...
With Franz Marc and August Macke: 1909-1914, the Neue Galerie implicitly argues that the two artists belong among the pantheon of Europe's modern masters. “I consider it a great stroke of luck to have ...
Catalog of an exhibit organized by the Los Angeles County Museum of Art and also held at the Hirshhorn Museum and Sculpture Garden and at Josef-Haubrich Kunsthalle Köln. German expressionist sculpture ...
In the 1890s, when Pablo Picasso was a pup, a Schleswig-German artist named Emil Nolde began experimenting. He distorted forms, rearranged figures, changed colors—innovations with which Picasso was ...
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