"Sirens" creator Molly Smith Metzler explains the origins of "Hey Hey" and why Michaela is so obsessed with birds.

Netflix limited series “Sirens” centers on the complex dynamic between three women — Meghann Fahy, Milly Alcock and Julianne Moore — that unfolds over the course of a hectic weekend.

Showrunner Molly Smith Metzler chats with THR about rethinking Greek mythology with the series starring Meghann Fahy and Milly Alcock, and why she’s going to be on Reddit to read viewers’ thoughts.

Sirens throws us into a world where relationships are messy, intentions are murky, and nothing is obvious at first glance. There’s no hand-holding, no clear roadmap.

In the wake of Ethan (Glenn Howerton) drunkenly falling off a cliff while arguing with Simone about their breakup and the Vanity Fair photographer showing Michaela the photo of Peter kissing Simone, things really begin to spiral out of control for the younger DeWitt sister.

The series has so much escapist potential in its initial episodes, poking at the absurdities of abundant wealth and ladling in so much silly foreboding, only to squander it because the series is unable to create anything resembling an emotional payoff.

Explore the intricate dynamics of "Sirens," a visually stunning series that struggles to balance its aesthetic appeal with a compelling narrative.

“As an eat-the-rich satire Sirens doesn’t entirely work; neither does it fully pull off its attempts to grapple with family dynamics and generational trauma. But as a colourful, unpredictable slice of slightly bonkers summer escapism? Like the siren ...